The Legitimacy Trap: Institutional Sequencing Failure and Policy Reform in Nepal's Film Sector

Authors

  • Aryan Bhandari Student Author
  • Manoj Jaishi Author
  • Arati Shilpakar Author
    Competing Interests

    No

DOI:

https://doi.org/10.67556/y06gf741

Keywords:

co-production policy, film financing, institutional sequencing, Nepal film sector, value chain framework

Abstract

In recent years world cinema has seen a shift toward digital distribution networks and transnational co-productions, requiring strong institutional frameworks and infrastructure. While Nepal's film sector has seen a strong creative momentum producing commercially successful and critically recognized titles this momentum is sustained by a fragile foundation making it unable to integrate into a borderless contemporary world of storytelling. Using interpretive, abductive case study design, this study conducted semi-structured interviews across Finance Track and Policy Track with multi-disciplinary film workers, policy experts, and industry association representatives in Kathmandu in March to May of 2026, analyzed through (Parc, 2021) institutional sequencing model and (Parc, 2020) value chain framework. Findings were triangulated against primary legislation, Film Development Board (FDB) institutional data, New Film Bill, 2025 and comparative evidence from South Korea, Nigeria, and Malaysia. The research identified five interlocking institutional node failures interacting with each other across financing infrastructure, policy and regulatory frameworks, IP enforcement, co-production capacity, and data governance that reinforce each other in a self-perpetuating cycle designated “the Legitimacy Trap”. Out of seven major findings, some empirical contributions emerged: the FDB budget impossibility, which establishes that reinvestment failure is a structural design feature rather than institutional incompetence. A moral rights inalienability gap, which reveals that standard industry contracts routinely include legally unenforceable waiver clauses unknown to practitioners and the confirmation of (Fang, 2024) “complicit creativity” in Nepalese context as the mechanism through which censorship suppresses creative and commercial output before formal review, all of which reinforces the legitimacy trap. The study concludes that Nepal requires a sequenced institutional reform roadmap beginning with governance preconditions before transparency, financing infrastructure, and international engagement can be addressed.

##plugins.themes.default.displayStats.downloads##

##plugins.themes.default.displayStats.noStats##

References

Barker, Thomas et al., 2021. Censorship and Its Impact on the Screen Industries in Malaysia, Kuala Lumpur: Freedom Film Network.

Dhakal, R., 2024. Nepali filmdom still mired in lack of accountability, transparency. 30 June, p. 6.

Fang, J., 2024. The Culture of Censorship: State Intervention and Complicit Creativity in Global Film Production. American Sociological Review, 89(3), pp. 488-517.

FDB, 2023. Film Development Board, Nepal. National Movie Collection Report, Kathmandu: Film Development Board, Government of Nepal.

FDB, 2026. National Movie Collection Report, Kathmandu: Film Development Board, Government of Nepal.

ILO, 2021. Analytical Brief on the Film Industry in Nepal, Kathmandu: International Labour Organization.

ILO & NPC, 2022. Untapping the Potential of the Nepali Film Industry to Generate Decent Employment for Women, Kathmandu: International Labour Organization and National Planning Commission, Nepal.

Jedlowski, A., 2021. African Screen Media: Nollywood and the Genealogy of a Revolution. New York: Columbia University Press.

Jin, D. Y. & Su, W., 2019. Asia-Pacific Film Co-Productions: Transnational Collaborations in the Era of New Media. New York: Routledge.

Khoo, O., 2020. Pan-Asian Filmmaking and Co-Productions with China: Horizontal Collaborations and Vertical Aspirations. In: C. Berry, ed. The Chinese Cinema Book (2nd Edition). London: British Film Institute/ Palgrave Macmillan, pp. 197-205.

Kouletakis, J., 2023. Weak copright enforcement produces revenue loss and deters foreign investment: evidence from Nigeria and South Africa. Journal of Media Law, 15(2), pp. 44-68.

Lee, H.-K., 2022. Supporting the Cultural Industries using Venture Capital: A Policy Experiment from South Korea. Cultural Trends, 31(1), pp. 82-96.

Lobato, R., 2019. Netflix Nations: The Geography of Digital Distribution. New York: NYU Press.

Maharjan, H. M., 2012. Machinery of State Control: History of Cinema Censor Board in Nepal. Bodhi: An Interdisciplinary Journal, 4(1), pp. 45-67.

Messerlin, P. A. & Parc, J., 2017. The Real Impact of Subsidies on the Film Industry (1970s-Present): Lessons from France and Korea. Pacific Affairs, 90(1), pp. 51-75.

Morawetz, N., Hardy, J. & Randle, K., 2017. Finance, Policy and Industrial Dynamics - The rise of co-productions in the Film Industry. Industry and Innovation, Issue 14, pp. 421-443.

Parc, J., 2020. Understanding Film Co-Production in the Era of Globalization: A Value Chain Approach. Global Policy, 11(4), pp. 458-465.

Parc, J., 2021. Business integration and its impact on film industry: The case of Korean film policies from the 1960s until the present. Business History, 63(5), p. 18.

Ramachandran, N., 2024. As Nepali Cinema Soars Globally, Taxes Cripple Local Film Industry [Interview] (30 June 2024).

Shahi, S. B., 2025. Production Cost of Feature Film in Nepal. The Journal of Academic Development, 9(1), pp. 89-116.

WIPO, 2023. IP Assets and Film Finance, Geneva: World Intellectual Property Organization.

Downloads

Published

2026-06-08

Issue

Section

Articles

How to Cite

The Legitimacy Trap: Institutional Sequencing Failure and Policy Reform in Nepal’s Film Sector. (2026). Islington Journal of Multidisciplinary Research, 1(1), 50-58. https://doi.org/10.67556/y06gf741

Similar Articles

You may also start an advanced similarity search for this article.